Silurian – End Of Ordovicia Review
Fast Rites: because sometimes brevity is fundamental. When your band pedigree includes members of tech-heads Obsolete, dissonant death metallers Sunless, black/death churners Suffering Hour, and several others, you’re probably creating both a certain level of …
Valborg – Der Alte Review
The less-is-more approach to music, art, architecture, and basically any other form of aesthetic expression has, throughout its history, yielded widely varying results that often feel like contrasts. Punk stripped away the excesses of arena …
Auriferous Flame – The Great Mist Within Review
Fast Rites: because sometimes brevity is fundamental. Greece’s Spectral Lore may adopt several styles between albums, but that doesn’t stop lone member Ayloss from exploring little nooks and crannies using other names. Enter Auriferous Flame …
Diamonds & Rust: 25 Years Of Devin Townsend’s Ocean Machine
I’ll wait for the ocean to rise up And meet me, as it rose up before If you’re at least 25 years of age ‒ and by virtue of reading an article about a 90s …
Ashenspire – Hostile Architecture Review
Here’s a truth about art that is all too often forgotten: art needs to be political. Art begs to be political. Here’s another truth about art that is all too often forgotten: art needs to …
Bekor Qilish ‒ Throes Of Death From The Dreamed Nihilism Review
In music (and all art), there’s generally a distinction between things that are blatantly, intentionally strange or just end up that way because the people making it are weirdos. Even just within the “avant-garde” tag, …
Mournful Congregation ‒ The Exuviae Of Gods – Part I Review
In his intro of our Devil’s Dozen of My Dying Bride, Dan Obstkrieg describes the UK greats’ overwhelming commitment to sadness, and I would go even farther and anoint MDB the all-time lords of heavy …