All posts by Dan Obstkrieg

Happily committed to the foolish pursuit of words about sounds. Not actually a dinosaur.

Furze – The Presence… Review

I had trouble sleeping the other night. I woke up in that barely pre-dawn window where it’s getting light enough that you know you probably won’t be able to get back to sleep, but still

Sear Bliss – Letters From The Edge Review

The temptation when writing about a band like Hungary’s Sear Bliss is to obsess over what is so unusual about them (a horn section in a metal band) and neglect explaining how they excel at

Khôrada – Salt Review

In music—as in life—expectations can cut two ways. Without expectations, there might be no disappointments. But without expectations, there’s also little chance for surprise. The relational structure of expectations, however, borders on tyrannical. As a

Grayceon – IV Review

The California trio Grayceon’s music is, admittedly, difficult to categorize. (While this means there is likely no one right answer, it does not mean there are no wrong answers: do not call it sludge. This

Dimmu Borgir – Eonian Review

Listen, I don’t feel like spending a lot of time apologizing or contextualizing or tiptoeing around my point, so I’ll get right to it: I am of the opinion that A) Dimmu Borgir is a

Ghastly – Death Velour Review

In this business of writing words about sounds, some things are just easier to convey than others. If a band is slow and sounds like Black Sabbath, I can call it doom and there’s a

Wild Hunt – Afterdream Of The Reveller Review

Michael Pollan’s best-selling book The Omnivore’s Dilemma posed a fairly simple question: Because of various environmental and evolutionary reasons, humans have developed the capacity to eat more or less everything. That being so, what should

Messa – Feast For Water Review

Sometimes it’s good to begin with where you intend to end up: Messa’s Feast for Water is an unhurriedly brilliant album that overflows with truly remarkable songcraft and a consistently enthralling atmosphere. If you’d like