All posts by Zach Duvall

Last Rites Co-Owner; Senior Editor; Obnoxious overuser of baseball metaphors.

The Lord Weird Slough Feg – Traveller Supplement 1: The Ephemeral Glades Review

It takes a certain combination of talent, timing, the stars aligning, and luck to pull off what The Lord Weird Slough Feg is currently trying to pull off: delivering a sequel to a beloved classic.

Labyrinthine Heirs – Labyrinthine Heirs Review

When a band’s influences are on the stranger side, can that band still claim to be strange, or are they just pulling from the weirdos that came before? Well, in the case of the Texas

Chaos Inception – Vengeance Evangel Review

A very strong argument can be made that over the last few years, no label has brought more top quality death metal to the masses than Czechia’s Lavadome Productions. From the forward-thinking work of Heaving

Exordium Mors – Sworn To Heresy Review

There’s something to be said for a band knowing their strengths, forming more strengths, and then really leaning into them. In the case of Auckland, New Zealand’s Exordium Mors, those strengths include mastery of multiple riff

Obscureviolence – Refuting The Flesh Review

The world of black/death metal (which isn’t to be confused with blackened death metal, I think…) has loved its black and red album art ever since Fallen Angel of Doom…. dropped the first of its

Best Of 2024 – Zach Duvall: Gorge Thyselves On Goop

Hello and greetings, friends and frenemies, and welcome to my personal rundown of heavy music in 2024. I think this year we’re going to mostly dive right into things instead of spending a lengthy amount

Opeth – The Last Will And Testament Review

[Cover art by Travis Smith] Hoooooooooboy, folks, look what we’ve got here. It’s gonna be hard to think of a metal album in 2024 that will elicit as many opinions as will The Last Will

Auriferous Flame – The Insurrectionists And The Caretakers Review

[Cover art by Gilded Panoply Artwork] When Ayloss first started Auriferous Flame, it appeared that he would use it for more traditional black metal expression, as The Great Mist Within was emotive, melodic, atmospheric, and