Tag: Crossover

[Cover Art by Luca Carey]

Expander – Neuropunk Boostergang Review

</INITIATE.PROTOCOL: (coverART.Awesome!) Music always comes first, here at YourLastRitesCorp, Inc. (GIWR on the heavy metal stock exchange; available in units of RiffCoin only.) But we also recognize that the right image will hook us before

The Third Kind – Man Vs Earth Review

[Artwork drawn by Rich Muller and painted by Frankie Accardi] Metal, punk and hardcore were clearly crossing lines long before the term “crossover” became a common part of our vernacular. For example, it wasn’t at

In Crust We Trust: Vol 16

Kia ora, comrades. Welcome to In Crust We Trust: Vol 16. You might have noticed that every new day seems to bring another new catastrophe. (Or yet another increasingly deranged soundbite.) Who knows what the

Crossover The Edge: Where Hardcore, Punk And Metal Collide – By Alexandros Anesiadis

Alexandros Anesiadis’ encyclopedic tome, Crossover the Edge: Where Hardcore, Punk and Metal Collide, captures all the passion and exhilaration of hardcore, punk, and thrash’s fusion in the 1980s. Obviously, old school bands and a heap

Enforced – At The Walls Review

“Groove” – the word is almost enough to send old-school metalheads into paroxysms of rage or fear or both. For those of us who survived the 90s / early 2000s, we remember all too well

Los Huaycos – Savage Monstrosities Review

[Artwork by Skinner] If you grew up in one of the lucky parts of the world, there was probably a time in your life when you experienced precisely what true freedom intended humans to feel

Diamonds & Rust: The Accüsed – The Return Of Martha Splatterhead

In “Diamonds & Rust,” Last Rites looks back at classic albums from metal’s storied history. Some of those albums were big hits, and others are overlooked gems. All of them deserve your time and attention…

Insanity Alert – 666-Pack Review

There’s a fine line between homage and thievery. Nearly two decades ago now, Municipal Waste came raging out of Richmond, with a silly sense of humor and a sound borrowed heavily from DRI, early Exodus,