Tag: Industrial

Cover art by P. Van Trigt

Track Premiere: 8 Hour Animal – “Wake”

8 Hour Animal certainly wants to fuck up your Tuesday. “Wake,” the concluding track to the New York industrial/noise project’s second work Resigner, emerges after a hypnotic whitewash at the end of “Pushing Myself Down.” In

Missing Pieces: The Best Of What We Missed In 2021 So Far, Volume 1

A long time ago in this very same galaxy, Last Rites was a website named MetalReview, and for several of MetalReview’s early years, the policy was to review everything that was sent our way. Like

Thy Catafalque – Vadak Review

A common criticism of progressive or avant-garde music is that it’s too busy, too clinical, too academic, too self-indulgent. And if that criticism is itself a somewhat lazy cliche, it nonetheless also has the virtue

Autarkh ‒ Form In Motion Review

To a certain subset of metal fans, Dodecahedron’s two albums were among the most original, daring, and truly adventurous works of extreme metal in recent years. Dissonant black metal met electronics, industrial, a progressive, unpredictable

Anaal Nathrakh ‒ Endarkenment Review

Let’s get the obvious point out of the way right now: about half of Anaal Nathrakh’s career has been rather superfluous. They haven’t really done much new since they truly cemented their formula on the

Self Hypnosis ‒ Contagion of Despair Review

Contagion of Despair, the first full length from the UK’s Self Hypnosis, is a huge, sprawling album in more ways than one. Most obviously, it pushes 80 minutes in length, which would seem very long

[cover art by Ani van Sunnjurck.]

Tristwood – Blackcrowned Majesty Review

It’s been almost 14 years since Tristwood graced the digital pages of Last Rites with their 2006 sophomore album, The Delphic Doctrine. Because there is just too much damn music out there, subsequent releases went

Thy Catafalque – Naiv Review

That Tamás Kátai and Thy Catafalque can still surprise after several albums of increasingly decreased musical boundaries isn’t just impressive, it’s a testament to the very nature of the project. Kátai and his ever-expanding band