Tag: InsideOut
OU – II: Frailty Review
OU comes from Beijing, which is a circumstance that invites some pretty simple assumptions, very few of which turn out to be right. Simply put, OU doesn’t sound like a Chinese band, at least not …
Ray Alder – II Review
Heavier and more progressive than 2019’s What the Water Wants, the Fates Warning singer’s sophomore effort, II, retains the former’s ethereal feel but hits some incredible highs that were perhaps lacking on that earlier effort …
Riverside – ID.Entity Review
[Cover art by Jarek Kubicki] Pop psychology has always moved big money with stories and strategies and tricks of the trade for keeping one’s chin up even through the most trying of times. Heck, some …
Devin Townsend – Lightwork Review
Years ago, in another life, I remember talking about the philosopher John Rawls with a grad school classmate. Having read too deeply in poststructuralism and critical theory, I made some sneeringly insufferable attack on Rawls, …
Missing Pieces: The Best Of What We Missed In 2022 So Far, Vol. 3
This is the final installment of our annual mid-year wrap-up, compiling our hand-selected best of the records we somehow neglected to cover during the first half of 2022. You should’ve already read Parts 1 and …
Charlie Griffiths – Tiktaalika Review
In Tiktaalika, Haken guitarist Charlie Griffiths has deftly weaved together near equal amounts progressive, thrash, and extreme metal to craft a charming, quirky, and pretty darn delightful debut album. I’d forgive you for thinking that …
Star One – Revel In Time Review
If nothing else, Star One’s Revel in Time – like many, if not all of Arjen Lucassen’s artistic endeavors – is an event. That someone who commits himself only to music that appears to reflect …
Molybaron ‒ The Mutiny Review
France’s MolyBaron self-released their second album, The Mutiny, back in May and somebody at InsideOut Music liked it enough to pick it up for a formal release in late October. That’s a bit of a …