All posts by Lone Watie

El Paramo – El Paramo Review

Krautrock inspired by the Palm Desert scene and refined in the halls of the Chicago School of Atmospheric Post-Metal, by way of Madrid, Spain. Unless you’re already familiar with El Paramo, or studied in these …

Crescent Shield – The Stars Of Never Seen Review

I called to the other men that the sky was clearing, and then a moment later I realized that what I had seen was not a rift in the clouds but the white crest of …

Vanmakt – Ad Luciferi Regnum Review

Think about the Haunted House attraction at the local county fair. The one where you ride herky-jerky in a little cart that clicks incessantly along a tiny train track. Every ten feet or so, some …

Heaven & Hell – The Devil You Know Review

Conversations between young metalheads and old about metal’s pioneers – Priest, Maiden and, first and foremost, Black Sabbath – seem to always involve comments from the younger pups that come straight from the “what have …

Urna – Iter Ad Lucem Review

Metal has long been embraced as a metaphor for darkness, and funeral doom may be its most effective vehicle, as its crushing heaviness and ponderous pace instantiate at once the blighting of sight, sound and …

Ephel Duath – Through My Dog’s Eyes Review

Even if you’ve never owned a dog, you know the picture: Rover has spent a long day cooped up at home, dreaming of high octane cat chases and vast expanses of lush green fields, anticipating …

Ironwood – :Fire:Water:Ash: Review

Some albums demand that the bottom line of a review be introduced early because there is something so unique about it that it will instantly make or break the album for new listeners. :Fire:Water:Ash: is …

The Firstborn – The Noble Search Review

While the incorporation of ethnic musical influences and lyrical themes is nothing new to metal, its practice seems to have become more popular in the last five years or so and there appears to be …