Windfaerer – Alma Review
Fast Rites: because sometimes brevity is fundamental. Windfaerer succeeds where many other atmospheric black metal bands have lately flopped by never leaving the ferocity of black metal too far behind in favor of overly wispy …
Anaal Nathrakh – A New Kind Of Horror Review
Although heavy metal’s musical hubs have shifted over time, Birmingham retains pride of place not only for being arguably the earliest forge (Black Sabbath), but for being both an incubator and an accelerator. Follow the …
Furze – The Presence… Review
I had trouble sleeping the other night. I woke up in that barely pre-dawn window where it’s getting light enough that you know you probably won’t be able to get back to sleep, but still …
Sear Bliss – Letters From The Edge Review
The temptation when writing about a band like Hungary’s Sear Bliss is to obsess over what is so unusual about them (a horn section in a metal band) and neglect explaining how they excel at …
Khôrada – Salt Review
In music—as in life—expectations can cut two ways. Without expectations, there might be no disappointments. But without expectations, there’s also little chance for surprise. The relational structure of expectations, however, borders on tyrannical. As a …
Grayceon – IV Review
The California trio Grayceon’s music is, admittedly, difficult to categorize. (While this means there is likely no one right answer, it does not mean there are no wrong answers: do not call it sludge. This …
Dimmu Borgir – Eonian Review
Listen, I don’t feel like spending a lot of time apologizing or contextualizing or tiptoeing around my point, so I’ll get right to it: I am of the opinion that A) Dimmu Borgir is a …
Ghastly – Death Velour Review
In this business of writing words about sounds, some things are just easier to convey than others. If a band is slow and sounds like Black Sabbath, I can call it doom and there’s a …