All posts by Dan Obstkrieg

Happily committed to the foolish pursuit of words about sounds. Not actually a dinosaur.

Töxik Death – Speed Metal Hell Review

If you were browsing the racks of your favorite record store (they still exist, I swear) and came across an album called Speed Metal Hell by an umlauted Töxik Death, you would assume they played

Code – Augur Nox Review

I suppose there’s a decent argument to be made that nobody needs a review of this album, now nearly two full months after its release date. There’s also a reasonably solid argument to be made

Dan Obstkrieg’s Best Of 2013 – Heavy Metal Matters

As the divide between internet culture and the rest of culture yawns ever wider into a nearly unbridgeable chasm, it becomes easier and all the more tempting to speak only in ironic phrases, and to

Immortal Bird – Akrasia Review

Let’s get the massive, whopping, unavoidable disclaimer out of the way first: Immortal Bird is a new band featuring none other than former Last Rites staffer Rae Amitay. I also know Rae personally and consider

Lake Of Blood – Omnipotens Tyrannus Review

There’s a chance you’ve heard this one before. That is, if you’ve been even half-attentive to the prevailing currents in contemporary black metal over the past decade or so, the general sounds that emerge from

Nocturnal Graves – …From The Bloodline Of Cain Review

The (surely) bullet-belted noisemakers in Nocturnal Graves play such a heavily blackened thrash that one could wager a life’s savings on a bet that they hail from Australia. And, lo and behold, Nocturnal Graves do

Satan’s Wrath – Aeons Of Satan’s Reign Review

Well, here’s a sentence one doesn’t imagine has been written before: Aeons of Satan’s Reign is a love letter. Lower that skeptical eyebrow back to resting position, friends, because in all honesty, that’s exactly what

Monster Magnet – Last Patrol Review

To get the uninitiated up to speed: New Jersey’s favorite drug-riddled space-cavemen Monster Magnet released two jaw-dropping, ear-exploding, mind-expanding, cosmos-rending classics in 1992’s Spine of God and 1993’s Superjudge. Main magnet Dave Wyndorf and crew