All posts by Andrew Edmunds

Last Rites Co-Owner; Senior Editor; born in the cemetery, under the sign of the MOOOOOOON...

Astral Doors – Black Eyed Children Review

Traditionally, Astral Doors has never been my favorite of Nils Patrik Johansson’s projects, but with his abrupt departure from Civil War earlier this year, I guess it is now. Formed fifteen years ago as a

Suffocation – Of The Dark Light Review

In his review of Suffocation’s previous album, 2013’s world-crushing Pinnacle Of Bedlam, my erstwhile compatriot Zach Duvall posited the half-in-jest idea of The Mullen-Hobbs Code, the qualitative phenomenon by which every odd-numbered Suffocation album is

Seven Kingdoms – Decennium Review

Originally released on Nightmare Records back in January, Decennium proved itself worthy enough to score a re-release just a few short months later, now on power-metal “major” Napalm. In their ten-year career (hence this latest

Lock Up – Demonization Review

On paper, Lock Up looks like a killer band. And it should be, in whichever of its four incarnations (so far) that you choose. It should add up to a sum greater than its parts,

Diamonds & Rust – Exploring Metal Classics: Queensrÿche’s The Warning

I’ve always been an anachronism. I was born in 1977, and thanks to some older cousins, I got into metal in the dying days of the 1980s, mostly through records and bands already well established

Looking For An Answer – Dios Carne Review

If there’s two things I know about Spain, it’s that the rain there falls mainly on the plain, and that Spanish death metal bands have a great way with that thick, oozing, rotten sound, and

Music Over My Head – A King’s X Primer, Part 2

The first part of this two-piece primer covered King’s X’s golden era, the ten years between their debut and the loss of their major label deal. Of the six records they released during that decade,

Music Over My Head – A King’s X Primer, Part 1

Generally speaking, artists are the sum of their influences. Narrow the scope of the influences and you narrow the scope of the art, and the artist will have a harder time separating his or her