All posts by Andrew Edmunds

Last Rites Co-Owner; Senior Editor; born in the cemetery, under the sign of the MOOOOOOON...

Mekong Delta – In A Mirror Darkly Review

In his excellent encapsulation of the progressive metal phenomenon, 2010’s Mean Deviation, author and former Metal Maniacs editor Jeff Wagner outlines a definite division between bands that are “Progressive” and those that are “progressive.” To

5Q5A – Dead Instrument

From the land of Kierkegaard and King Diamond comes Dead Instrument, a grindcore four-piece that peddles perfectly blistering blasting. Think the hyperactive razor’s edge of Discordance Axis meets the turbo-charged attack of Yacøpsæ, duking it out in

Savage Messiah – The Fateful Dark Review

If you’ve worked in an office in the last decade or so, you’re over-familiar with the word synergy. That particular managerial buzzword is the process by which individual parts combine to form something greater than

John Baizley / Nate Hall / Mike Scheidt – Songs Of Townes Van Zandt, Vol. II Review

Well, this is a bit of a disappointment… Released in 2012, the first Townes tribute was a winner, though not every track succeeded wholly. That earlier one was Steve Von Till and Scott Kelly of

Hail To The King – An Interview With King Diamond

You ever get asked that stupid question, “If you could have dinner with five people, living or dead, who would they be?” I’ve never been able to give a definitive answer on it, because I’ve

Flotsam And Jetsam – No Place For Disgrace (2014 Re-Recording) Review

For a minute, many moons ago, Flotsam & Jetsam was poised to move into the upper echelon of thrash bands. They came along in the first wave of thrashers, releasing an absolute monster in their

Yautja – Songs Of Descent Review

First things first: Yautja is pronounced “ee-WAT-yuh,” and apparently it’s the name of the extraterrestrial race featured in the Predator series, although the word “yautja” is never actually referenced in any of the films, only

Cripple Bastards – Nero In Metastasi Review

I’ve read a few reviews in the last several years – and I’ve written one of them – stating that Italy’s Cripple Bastards has quietly been creeping up to become one of grindcore’s leading lights.