All posts by Andrew Edmunds

Last Rites Co-Owner; Senior Editor; born in the cemetery, under the sign of the MOOOOOOON...

Noisear – Turbulent Resurgence

Albuquerque art-grinders Noisear jump from Relapse to Willowtip for this, their third full-length effort. I have to admit that I missed out on last year’s Subverting The Dominant Paradigm (to my loss, I’ve heard), and

Cold Steel – 20 Years Of NY Thrash – The Demo Anthology Review

Long-forgotten New York thrash act Cold Steel gets the demo compilation treatment with Stormspell’s 20 Years Of NY Thrash, which brings together all the tracks from 1988’s Dead By Dawn and Scarred For Life alongside

Steve Harris – British Lion Review

The ultimate trouble with a solo album from a musician whose name is inescapably attached to a specific band is that the solo effort in question is immediately and often unfairly tethered to the work

Morgoth – Cursed To Live Review

If you’d asked me in January what I thought I’d be covering in the coming year, I can honestly say that a Morgoth live album would not have been on my list. Not by virtue

Master – The New Elite Review

For nearly thirty years, Paul Speckmann and some form of Master have been releasing quality thrash- and d-beat-tinted death metal. Alongside the likes of Death and Possessed, Master is one of the bands directly responsible

Nuclear Death Terror – Chaos Reigns Review

In some ways (perhaps in many), it may seem equal parts obvious and absurd, over-reaching and lazy to describe a band whose name contains the words “nuclear” and “death” as “apocalyptic,” and it’s at least

Binah – Hallucinating In Resurrecture Review

Though there are exceptions, by and large, the old-school death metal revival of the past half-decade or so has been primarily divided into two camps: those bands attempting to revive the spirit of Sunlight Studios,

Afgrund – The Age Of Dumb Review

Afgrund’s straightforward Scandinavian death-infected grindcore offers little in the way of stylistic diversion from the path laid forth by the likes of Nasum and Rotten Sound, but it more than compensates for its second-wave nature