
Grayceon – This Grand Show Review
Wow. After hearing the first two songs from the sophomore effort from Grayceon, I promptly picked my jaw up off the floor and immediately kicked myself for not heeding the universal–and I do mean universal–praise and …

Subrosa – Strega Review
From the metal as hell I Hate comes the, uh, so not metal as hell second album from Salt Lake City’s SubRosa. Don’t get me wrong, there’s a distinctly arid, desert-doom quality to this album, but if I …

Opeth – The Roundhouse Tapes Review
Opeth make it hard on the elitists, cynics and complainers with their first live album, the two-disc The Roundhouse Tapes. As Opeth’s commercial appeal has grown, so has the disenchanted segment of the underground that resents the band’s …

Blut Aus Nord – Odinist: The Destruction of Reason By Illumination Review
French black metal behemoth Blut Aus Nord returns with Odinist: The Destruction of Reason By Illumination, an intriguing release in that since the band burst onto the larger metal stage with the phenomenal The Work Which Transforms God, they’ve been …

October File – Holy Armour From the Jaws of God Review
October File are sportin’ some serious wood for Killing Joke–not that there’s any blame in that, of course. What is unusual though is that the feeling seems to be mutual. Killing Joke front(mad)man Jaz Coleman produced and adds guest vocals to October …

Overkill – Immortalis Review
If anyone deserves to benefit from the current resurgence (read: commercial viability) of thrash, it’s a band like Overkill. These originators have been hard at it for two decades; not collapsing under egos and superstar expectations, …

Om – Pilgrimage Review
It would have been hard to believe that the demise of doom titans Sleep would eventually pay major dividends to fans, but here we are, gifted with two of the year’s best albums, within less than a …