All posts by Old Guard

The retired elite of LastRites/MetalReview.

Inter Arma – Paradise Gallows Review

As a full-time industry scientist and part-time music critic, a review of Inter Arma’s Paradise Gallows proved to be rife with challenge. Given that their particular interpretation of the art form involves so many variables and moving parts,

Perturbator – The Uncanny Valley Review

One of the most terrifying scenes in all of modern cinema comes from Ridley Scott’s 1979 sci-fi horror classic, Alien. Sigourney Weaver’s character, Ripley, is attacked by the Nostromo’s android science officer, Ash, portrayed by Ian

Ihsahn – Arktis. Review

Originally written by K. Scott Ross. Ihsahn is many things to many people. The father of modern black metal. The killer of TRVE black metal. Master of interlocking jigsaw riffs. International sex symbol. Musical genius. Overrated

Wormed – Krighsu Review

Originally written by Chris Redar 2013’s Exodromos became somewhat of an obsession of mine some months after its release. Sure, It made my top ten that year, but that particular calendar stretch also saw career

Redwest – Crimson Renegade Review

Originally written by Chris Redar Crimson Renegade is: 1. An album entirely about cowboys, cowboy lore, and cowboy stuff. 2. Recorded by Redwest, who hail from the land of cowboys, Italy. 3. Vocally and lyrically

Black Tusk – Pillars Of Ash Review

Sludge, especially southern sludge, is in a strange place right now. Since 2010, the current standard bearers of the region (Baroness, Kylesa, Mastodon) have eschewed traditional sludge sounds and lyrical themes in favor of exploring more progressive

Wake – Sowing The Seeds Of A Worthless Tomorrow Review

Originally written by Chris Redar Back in 2013, Calgary, AB’s Wake released a true gem in False. With grindcore being as restrictive as it is, standing out from the gaggle of sub-par releases is nothing

Eight Bells – Landless Review

Originally written by K. Scott Ross. It’s almost a truism of heavy metal that we have lost the loudness wars. Too often modern music gets compressed to Hell and back again before being laminated with