All posts by Zach Duvall

Last Rites Co-Owner; Senior Editor; Obnoxious overuser of baseball metaphors.

Glorior Belli – The Great Southern Darkness Review

The city of New Orleans was founded by the French in the early 18th Century, and it has a long history of French-influenced culture in its food, music, and architecture. From the perspective of a metal

Mordbrand – Necropsychotic Review

Swedish death metal band Mordbrand sounds a lot like a death metal band from Sweden, but as we’ve learned over the decades, things are never quite so simple. A more accurate statement would be to

Neurosis – Sovereign (Reissue) Review

By design, the music of Neurosis should not work within the confines of the EP format. Their success has long been dependent not only upon their ability to craft earth-shattering hymns of tectonic force, but

Benighted in Sodom – Reverse Baptism Review

Not long ago one of my esteemed colleagues (that would be His Royal Danhammer of House Obstkrieg, First of His Name) reviewed an album that he could honestly recognize the quality of, but just couldn’t

Spellcaster – Under The Spell Review

Portland’s Spellcaster is a new act that likes to walk the tight rope between tried-and-true and tired-and-true, merging influences such as Iron Maiden, Metal Church, and Armored Saint into a fairly effective trad/thrash combo. Debut

Wolves In The Throne Room – Celestial Lineage Review

I don’t know about y’all, but I’ve had it up to my receding hairline with the genre-tag war, especially when applied incorrectly. The hot one these days is “post.” What does that even mean, “post”?

After Oblivion – Vultures Review

One thing that I’ve found constantly puzzling during this whole thrash revival thingy is why nearly all of the bands forego the epic and cerebral side of thrash in favor of mostly speed, a punk

Ave Maria – Chapter I Review

Not long after Code666 brought attention to yet another excellent not-quite-avant-garde blackened metal band in Johann Wolfgang Pozoj, here comes Ahdistuksen Aihio Productions with Germany’s Ave Maria. Both compellingly odd and oddly compelling, Chapter I