Castrator – Defiled In Oblivion Review
[Cover artwork by the inimitable Jon Zig] I’ll be honest and quickly admit the following right from the jump: For reasons having zero to do with the actual quality of the release, I have spent …
Diamonds & Rust: Sepultura – Beneath The Remains
[Cover artwork: Nightmare in Red, by the incomparable Michael Whelan] It’s a wild and wonderful world that accommodates a single band that not only finds great success playing contrasting styles of heavy music, but they …
Diamonds & Rust: Ludicra – Another Great Love Song
[Artwork by Aesop Dekker, Eric Radey, and Ross Sewage] If you’re one of those people who still enjoys reading think pieces concerning old records, chances are pretty good a meaningful level of music nerdery is …
Artificial Brain – Artificial Brain Review
[Artwork by a fellow called Adam Burke] “Wait, this is black metal! I’m eating black metal!” ~ Tom Colicchio There’s a thing that happens in extremely sophisticated restaurants and amidst scheming competitive cooking shows where …
The Chasm – The Scars Of A Lost Reflective Shadow Review
A bear, Salvator Rosa, and the two old guys from the Muppets walk into a bar… Wait… Before we go there, let’s get serious. Line up ten veteran bands and ask them to regale you …
Rigorous Institution – Cainsmarsh Review
Portland’s Rigorous Institution first hit my radar via the ever impressive efforts of Last Rites’ alum Craig Hayes and his dauntless study of all things crust, grind, punk, D-beat, et cetera In Crust We Trust, …
Serpentent – Mother Of Light Review
[Cover artwork by Anne K. O’Neill] —The sounds of a heaving ocean joined by the familiar creak of a gnarled ship // An ol’ sea dog barely lit by a weary lantern flame recounts a …
