The Scepter – Shadows In The Tower Review
[Album artwork by Alexander Roivainen] There are apparently a great many music playing scepters in this world but this The Scepter is from Canada and plays heavy metal in the traditional sense–not unlike fellow countrymen …
Snorlax – Toxic Current Review
[Cover artwork by Rotting Reign] Having slept on the first few releases from Australia’s Snorlax, I approached Toxic Current—the Aussie one-man blackened death metal band’s third full-length—with fresh ears. I won’t bore you with any …
Stormkeep – The Nocturnes Of Iswylm Review
[Cover artwork by Simon Bisley] Stormkeep’s full-length debut, Tales of Othertime, caused quite a stir in 2021. And by that I mean it was quite popular. Deservedly. It was big. It was melodic. It had …
Konquest – Dark Waters Review
[Cover artwork by Luca “Zeero” Zironi] There was always something uniquely charming about Konquest’s brand of traditional heavy metal—an almost whimsical breeziness that still felt like a near perfect balance of playful and substantive. A …
Cryptworm – Infectious Pathological Waste Review
Cryptworm’s third LP, Infectious Pathological Waste, quite charmingly arrives at the perfect time for yours truly; the deeper, choppier musical waters I’ve been swimming in the past few weeks have made for an often rewarding …
Teratoma – Longing Voracity Review
Death metal’s primary function is, or perhaps should be, to whip the listener into a good old-fashioned frenzy with riffs aplenty. On Longing Voracity, their sophomore effort, Germany’s Teratoma zealously commit to and meet this …
Leatherhead – Violent Horror Stories Review
[Album artwork by Mario López] You would never know the very USPM-sounding Leatherhead are Greek. Yet here we are, reviewing Leatherhead’s sophomore effort, the bluntly titled Violent Horror Stories, which is … you guessed it, …
