All posts by Dan Obstkrieg

Happily committed to the foolish pursuit of words about sounds. Not actually a dinosaur.

Christian Mistress – To Your Death Review

Interrogate yourself: love and hate are easy, but tepid enjoyment or moderate disappointment? Your book club doesn’t give a shit about that kind of weak sauce. Point being, it’s a hell of a lot simpler

Hooded Menace – Darkness Drips Forth Review

Nostalgia is big business. In the time it takes you to read this, probably a dozen bands have formed out of nothing other than the desperate urge to make something new. Their songs – and

Indesinence – III Review

Doom/death is a fickle thing. The interesting thing about the template laid out a quarter-century ago is that it was always a ramshackle synthesis. For all the gothic grandeur that the Peaceville 3 aspired to,

Author & Punisher – Melk En Honig Review

Welcome to the bespoke machine apocalypse. If Tristan Shone’s music as Author & Punisher has been on your radar at all, you likely know that the sounds of Melk en Honing are formed by custom

Cradle Of Filth – Hammer Of The Witches Review

Though in some sewer-dwelling internet circles it may still be possible to earn your in-group stripes by shitting on Her Majesty’s Merriest Misfits, if you are of the opinion that Cradle of Filth is not

Khemmis – Absolution Review

Let’s get to the point: Absolution is a promising debut album all but ruined by its laughably out-of-place harsh vocals. On paper, Denver’s Khemmis is an appealing proposition: their fuzzed-out tones and love for Lizzy-descended

False – Untitled Review

For as much as the genre flaunts its supposed nihilism and negativity, at its best, black metal produces a sort of ecstatic trance in the listener. Thus, although the style is easy enough to muster

Midnight Odyssey – Shards Of Silver Fade Review

The collapse of the record industry and the proliferation of inexpensive tools for independent recording and distribution have meant, in many ways, a liberation of artistic expression. On the whole, then, that’s a good thing: