All posts by Old Guard

The retired elite of LastRites/MetalReview.

Cattle Decapitation – The Harvest Floor Review

Originally written by Kris Yancey At long last, Cattle Decapitation has done it. They’ve made an album where the songwriting lives up to the ebulliently grotesque image and vivicidal (decidedly anti-human) lyricism. And perhaps they’re not entirely

Mictlantecuhtli – Warriors Of The Black Sun Review

originally written by Chris McDonald When one thinks of metal bands that write songs about Aztec mythology, fantastic Mexican death metal outfit The Chasm tends to comes to mind immediately. While this particular band happens

Fen – The Malediction Years Review

originally written by Chris McDonald It’s becoming increasingly marketable in the metal scene to have that catchy label to apply to your band’s sound for the Internet hordes to lap up. Projects that pay homage

Nahvalr – Self Titled Review

Originally written by Jordan Campbell So…fuck. Another noise record. A surprising amount of these things have been stumbling in here lately, careening through the corridors and leaving grease stains on the walls.  Nevermind that the

Giant Squid – The Ichthyologist Review

Originally written by Doug Moore. Wow. When people ask me why I like metal, I rarely know what to say. Often I give them an answer that’s true for a lot of the metal I

The Axis Of Perdition – Urfe Review

Originally written by Michael Roberts. That The Axis of Perdition have gone down this particular path isn’t all that surprising. After the cyber-black metal blitzkrieg of The Ichneumon Method, this British act has become steadily more abstract, with

Crypticus – They Called Me Mad! Review

Originally written by Erik Thomas They Called Me Mad! is a frustrating album. On one hand, at times it delivers a crusty Stockholm-ish take on old school death metal with a robust, rough guitar tone and pacing

Fission – Pain Parade Review

Originally written by Erik Thomas When you have a voice as distinct as Andreas Hedlund (Vintersorg,Borknagar, Oytg, Cronian), the problem is every project you are involved in tends to sound like the other, and while Fission is in itself