Upon Stone ‒ Where Wild Sorrows Grow Review
Fast Rites: because sometimes brevity is fundamental. LA’s Upon Stone prefer their melodeath the way it was originally played in Sweden in the early and mid-90s: equal parts classy and brutal, haggard in the vocal …
Enslaved ‒ Caravans To The Outer Worlds Review
Here’s the blistering hot take on the new Enslaved EP, Caravans to the Outer Worlds, that we know you’re craving like grandma’s homemade biscuits: The title track is the most immediate, urgent, and possibly best …
Replicant ‒ Malignant Reality Review
There’s something to be said for finding a core sound and generally sticking within its bounds. No one expects Cannibal Corpse to suddenly start adding power metal vocals any more than they’d expect Blind Guardian …
Headshrinker ‒ Callous Indifference Review
One of the neatest things in death metal over the last couple years has been the number of bands putting unique spins on old sounds while still firmly remaining within the walls of death metal. …
Septage ‒ Septisk Eradikasyon Review
Even in a year as loaded with great goregrind as 2020, the debut demo from Copenhagen’s Septage really stood out. Septic Decadence was four tunes in just under 12 minutes, loaded with blasts and tremolo …
Ophidian I ‒ Desolate Review
[Artwork by the incomparable Eliran Kantor] The most convenient way to describe Desolate, the sophomore effort from Icelandic tech-deathers Ophidian I, is to call it a serious guitar nerd’s death metal album. This is far …
Lord Mortvm ‒ Diabolical Omen of Hell Review
Fast Rites: because sometimes brevity is fundamental. Norway’s Lord Mortvm plays the type of metal that was best back when dirtbags knew they were dirtbags. Back when Saint Vitus was adding the punk grit to …
Siderean ‒ Lost On Void’s Horizon Review
Sometimes the potential of a band is more tantalizing than the present, even if the present is still pretty entertaining. Take for instance Slovenia’s Siderean, who aren’t exactly new to the game, but are new …