Code ‒ Flyblown Prince Review
[Artwork by Mors Ultima Ratio Art] Code has always been a little unpredictable for a variety of reasons (lineups, stylistic choices, timelines), but the choice to never make the same album twice is easily the …
Hagel ‒ Veneration of the Black Light Review
The African elephant has the longest known gestation period of any animal on our Blue Dot at about 645 days, which isn’t too far away from rounding up to an even two years. It takes …
Diamonds & Rust: Moonspell ‒ Wolfheart
[Original cover art by Axel Hermann] Of all the bands that began their careers in more extreme terrain only to shift into sounds that were in some ways experimental, more commercial, or just downright different, …
Asphyxiate ‒ Altar Of Decomposed Review
[Cover artwork: Adi Dechristianze] If you wanted to give someone an example of a straight-down-the-middle form of brutal death metal, you could do much worse than selecting Indonesia’s Asphyxiate. While a whole heap of bands …
Steel Bearing Hand ‒ Slay In Hell Review
[Artwork by Vrugarthdoom] This album doesn’t waste a second of time, so let’s not waste any with this review. Slay In Hell, the sophomore album from Steel Bearing Hand, is pure, uncut heavy metal thunder …
Autarkh ‒ Form In Motion Review
To a certain subset of metal fans, Dodecahedron’s two albums were among the most original, daring, and truly adventurous works of extreme metal in recent years. Dissonant black metal met electronics, industrial, a progressive, unpredictable …
Turbulence ‒ Frontal Review
What’s in a name, anyway? In the case of Lebanon’s Turbulence, the initial impression was just of a makes-you-think kinda name for a band playing a rather heartfelt form of prog, but there was more …
Paranorm ‒ Empyrean Review
The movie Heavy Trip tells the story of Finnish band Impaled Rektum (because of course), who basically only exists in one member’s basement for more than a decade, constantly playing their favorite covers and loving …