Esoctrilihum – The Telluric Ashes of the O Vrth Immemorial Gods Review
[Cover art by Alan “Medusawolf” Brown; click here for the full painting.] Esoctrilihum’s lone member Asthâghul is the kind of prodigious talent that really makes a guy question his life’s achievements. Over the course of …
Pound ‒ •• Review
The new record by Seattle’s Pound, the title of which is just two dots, is absolutely bonkers. Bonkers. The most convenient way to describe it would be as an instrumental hybrid of Meshuggah and The …
Epectase – Astres Review
Astres, the debut full length from French duo Epectase, manages to be both incredibly promising and a mite confounding all at once, often for the intertwining reasons. The record is absolutely sprawling in both style …
Riot City – Burn the Night Review
Sometimes you’re sitting around with your buddies, listening to all your favorite old records, when you notice one of the guys staring extra intently at the iconic sleeve art of Screaming for Vengeance. “You guys …
Cosmic Putrefaction – At The Threshold Of The Greatest Chasm Review
Gabriele Gramaglia is the type of metal artist that prefers to keep his works compartmentalized. The Clearing Path offers Gorguts-meets-DHG weirdo prog/black metal that is as likely to confuse as to delight; Summit takes a …
Suffering Hour ‒ Dwell Review
Suffering Hour’s full length debut, 2017’s In Passing Ascension, was a dark but often entrancingly melodic collection of blackened death metal that bared no small resemblance to The Chasm. That is, The Chasm if they …
Inter Arma – Sulphur English Review
Straight to the point: Sulphur English is the darkest and most brutal record that Inter Arma has made yet. It is also far less immediate than albums like Sky Burial and Paradise Gallows. Immediacy is …
