Nornír – Verdandi Review
We all know our types, and we all know our type metals. Just about everyone among you has those particular styles that you can’t resist as long as they’re done at a minimum of 70 …
Funereal Presence – Achatius Review
New York-by-way-of-Germany black metal act Funereal Presence is another in the long line of projects that will remind listeners of many bands while sounding like none of them. Considering that the one band member – …
Monolithe ‒ From Equinox To Solstice – Live At Beltane Review
The concept of a live album is an interesting one in 2019. It has, after all, been over 40 years since the heydey of The Live Album when records like Comes Alive, At Budokan, Tokyo …
The Wandering Ascetic – Crimson Review
Crimson, the debut full length from Singapore’s The Wandering Ascetic, is the type of record that shows how truly unsurprising it is to hear music that is rather “post-genre” in 2019. Not a genre that …
Sulphur Aeon – The Scythe Of Cosmic Chaos Review
When Sulphur Aeon dropped their debut full length Swallowed by the Ocean’s Tide in 2013, they appeared fully formed. Not fully formed as original visionaries, mind you, but fully formed as a cohesive unit that …
Best Of 2018 – Zach Duvall: Confessions Of A Cornfed Crackpot
Greetings, you husks. This year, instead of some State of the Scene Address, we’re going to talk about consensus in music fandom, and how it doesn’t really exist. Yes, seeing the same albums top every …
In The Woods… – Cease the Day Review
The reunion of Norway’s In the Woods… a few years ago was as pleasant as it was unexpected. In the 90s, the band released three wildly different albums that brought a whole lot of sweeping …
Deceased – Ghostly White Review
Deceased has long felt like a timeless, immovable object within heavy metal, the type of band that looks back on decades of ripped jeans and leather jackets while also being a predictor that the culture …