All posts by Zach Duvall

Last Rites Co-Owner; Senior Editor; Obnoxious overuser of baseball metaphors.

Khthoniik Cerviiks – SeroLogiikal Scars (Vertex Of Dementiia) Review

Way back in 2014, Germany’s Khthoniik Cerviiks released a demo that felt rather un-demo-y. Heptaëdrone was over 40 minutes of the kind of blistering, raw “black/death metal” that is very common on Iron Bonehead Productions,

Zach Duvall’s Best of 2015: The Atomic Countdown

For myself, 2015 was not necessarily a year of adventurism within the heavy music realms. In fact, I spent a good amount of time this year catching up on other sides of rock that I

Yautja – Songs of Lament Review

Yautja’s Songs of Descent was one of 2014’s most pleasant surprises, a blistering combination of grind, sludge, death metal, hardcore, and even noise that never felt as if it was overreaching to any one of

Selvans – Lupercalia Review

Italy’s Selvans was formed by four ex-members of Draugr after that band’s breakup in 2013, and their very brief history is one of both tragedy and fierce ambition. After completing most of the vocals and

Onirik – Casket Dream Veneration Review

Casket Dream Veneration is the fourth full length from one-man Portuguese black metal act Onirik, and if the quality here is any indication of the past, one would hope that sole member Gonius Rex does

Slugdge – Dim & Slimeridden Kingdoms Review

There is certainly no shortage of “narrative” potential about England’s Slugdge, for those that look for such things. First is the ludicrous speed at which they pumped out Dim & Slimeridden Kingdoms after Gastronomicon, itself

Bloodway – Mapping The Moment With The Logic Of Dreams Review

If you aren’t familiar with the name Costin Chioreanu, you’re likely familiar with his art, which is finding its way onto heavy metal album covers with increasing frequency. So curiosity was naturally piqued to see

Satan – Atom By Atom Review

What happened in 2013 was not supposed to happen. The script never reads like this: “Long defunct band from great era of music reforms better than ever, topping their long-beloved classic material.” Typically, we are