All posts by Zach Duvall

Last Rites Co-Owner; Senior Editor; Obnoxious overuser of baseball metaphors.

Vattnet Viskar – Settler Review

If metalheads were a fair bunch, they’d pick on the identical wardrobes of every “war metal” band as much as they focus on the looks of bands like New Hampshire’s Vattnet Viskar. Because really, the fashions

Nahtrunar – Symbolismus Review

Nahtrunar comes to us from Austria, conceiving full length debut Symbolismus as a tribute to the nights at the turn of the year (a European thing known as “Rauhnächte”). I can offer no insight into

Six Thoughts: Satyricon Live at the Opera

Black metal greats Satyricon recorded a live album with the Norwegian National Opera Chorus (Scandinavia, eh?). While they have added operatic and symphonic flairs to their music in the past, going all in on a

Arcturus – Arcturian Review

Intentional or not, the title of the long-awaited fifth Arcturus album is pretty fitting. It was probably meant to have some deep meaning about the stars or something, but on the surface, it’s just a

Wiegedood – De Doden Hebben Het Goed Review

In today’s underground, where perceived honesty and “trueness” are of the utmost importance to many, a new black metal band formed by guys that had done most of their time in hardcore and post-metal acts

Sulphur Aeon – Gateway To The Antisphere Review

German deathers Sulphur Aeon did something neat with their full length debut, 2013’s Swallowed by the Ocean’s Tide – they pulled from all over the place without going overboard in any single area. Bombastic, blasting,

Valborg – Romantik Review

After a few albums that mixed their signature doom/death/dark-plus-Celtic Frost-on-an-80s-goth-binge metal with some wondrous throws out of left field, Germany’s Valborg delivered an album that was, well, rather straightforward in 2012’s Nekrodepression. Of course, it

Akhlys – The Dreaming I Review

Akhlys is a side project of Nightbringer guitarist Naas Alcameth (because a pseudonym is cooler than being a black metal artist named Kyle Spanswick). When first putting ears on sophomore effort The Dreaming I, this