Category: Reviews

Novembre – The Blue Review

Originally written by Jason Jordan. Italy’s Novembre have a strong discography, so it’s not surprising that The Blue is yet another great record from the brothers Orlando and company. In fact, though not up to par with the devastating Classica or

Impaled – The Last Gasp Review

Originally written by Michael Roberts. If you’ve never acquainted yourself with Impaled’s brand of gore-inspired, thrashy death metal, then The Last Gasp is as good an album to start with as any. Considering that this is their fourth

Marduk – Warschau (Reissue) Review

Originally written by Chris Chellis. Listening to a live recording can be an extremely intimate experience. If you can hear the crowd, listen to some of the between-song banter and sense a greater energy coming

Malignancy – Inhuman Grotesqueries Review

Originally written by Dan Staige. The worm struggles furiously after being impaled by a barbed fishing hook. It thrashes about in deep agony, attempting to establish a position where any amount of pain subsides. Relief

Sodom – The Final Sign of Evil Review

One of the recent trends in metal has been for a band to go back and revisit older material for a new release. They may want to re-record it with a new approach (a la

Blut Aus Nord – Odinist: The Destruction of Reason By Illumination Review

French black metal behemoth Blut Aus Nord returns with Odinist: The Destruction of Reason By Illumination, an intriguing release in that since the band burst onto the larger metal stage with the phenomenal The Work Which Transforms God, they’ve been

October File – Holy Armour From the Jaws of God Review

October File are sportin’ some serious wood for Killing Joke–not that there’s any blame in that, of course. What is unusual though is that the feeling seems to be mutual. Killing Joke front(mad)man Jaz Coleman produced and adds guest vocals to October

Nidsang – The Mark Of Death Review

Originally written by Erik Thomas. Synopsis: Finally, a new, young black metal band from Sweden that lives up to the country’s legacy of evil, grim, yet melodic and seething black metal. Review: There’s something about Nidsang that