Tag: Black
Wiegedood – De Doden Hebben Het Goed Review
In today’s underground, where perceived honesty and “trueness” are of the utmost importance to many, a new black metal band formed by guys that had done most of their time in hardcore and post-metal acts …
Sulphur Aeon – Gateway To The Antisphere Review
German deathers Sulphur Aeon did something neat with their full length debut, 2013’s Swallowed by the Ocean’s Tide – they pulled from all over the place without going overboard in any single area. Bombastic, blasting, …
Akhlys – The Dreaming I Review
Akhlys is a side project of Nightbringer guitarist Naas Alcameth (because a pseudonym is cooler than being a black metal artist named Kyle Spanswick). When first putting ears on sophomore effort The Dreaming I, this …
Murg – Varg & Björn Review
Murg is from Sweden. Murg shows a real dedication to black and white cover art. Based on just these facts, one can make a pretty good guess what Murg brings to the table. If you …
Arstidir Lifsins – Aldafoðr Ok Munka Dróttinn Review
How effective is narrative art if one can’t follow the narrative? For music as richly textual as Arstidir Lifsins’s, the question is hardly academic. On the (mostly) German band’s third album, passages of sweeping, majestic …
Pyramids – A Northern Meadow Review
On Pyramids‘s self-titled debut album from 2008, the Texas-based band sounded like a photo-negative version of Blut Aus Nord‘s mind-bending MoRT album, all blown-out brightness and brittle dream-pop shards colored ominously by black metal echoes. …
Crom Dubh – Heimweh Review
Some flowers take a very long time to blossom. Such is the case with Heimweh, the full length debut from London’s Crom Dubh, which comes over a decade into the band’s existence. This is not …
Melechesh – Enki Review
Because you and I both know this thing has a good chance of shooting straight the hell off the rails, I’ll frontload the critical bit: Enki is Melechesh‘s most self-assured and accomplished album to date, …