Tag: Industrial
Xerath – I Review
Originally written by Jordan Campbell Xerath‘s debut, I, is inhuman. In a bad way. Typically, the use of such a descriptor is regarded as a positive. Throughout the history of metaldom, legions of bands have effectively …
Ministry – Adios… Puta Madres Review
So what’s on Ministry’s swan song live album? Those songs where he rails against Bush! Doesn’t narrow it down, does it. Okay, the ones aimed at George W. Bush. Wait, that’s not specific enough either. Fine then, we’ll …
The Amenta – Non Review
Originally written by Sasha Horn Four years, three countries, seven recording studios, two drummers, six vocalists, and two bass players. This is n0n‘s manifest, and it’s enough cargo to destroy a world, twice. I’m a …
P.H.O.B.O.S. – Anœdipal Review
Originally written by Sasha Horn I have decided that the tempo of the apocalypse will be either blazingly fast, or set to the speed of black molasses. Anoedipal is just oozing and oozing this second …
Sybreed – Antares Review
Originally written by Jordan Campbell Fans of industrial metal, especially those that cut their teeth on the glorious, early-to-mid-90’s output of Ministry and Fear Factory, have fallen on hard times. The dearth of quality acts spawned from these …
Machinae Supremacy – Overworld Review
Originally written by Jordan Campbell According to the soft-spoken word on the street, Machinae Supremacy were/are a melodeath-styled outfit with a serious SidStation fetish. Those without extensive knowledge of computer history or Timbaland’s exploits in noisemaking probably …
Non Opus Dei – Constant Flow Review
Originally written by Ian Chainey Here’s a not-so-secret secret: I really don’t like to do follow-ups on bands I’ve previously covered for the sole reason that, nine times out of nine times, they’ll disappoint the …
The Project Hate MCMXCIX – In Hora Mortis Nostrae Review
Originally written by Erik Thomas. Synopsis: Why can’t the ubiquitous Lord K (God Among Insects) and Jorgen Sandstrom (ex-Grave/Entombed, Death Breath) and their cohorts get a steady, consistent, multi album, respectable record/distribution deal? Massacre/Pavement Records, then Threeman, then Candlelight and now …