Tag: Technical

Martyr – Feeding The Abscess Review

Originally written by Jeremy Garner It’s been six years since Warp Zone was released and followed with a showering of praise from critics and fans alike. I’d like to think it apparent that I’m one

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Revocation – Summon The Spawn Review

Originally written by Ramar Pittance Featuring former members of the defunct Cryptic Warning, Revocation is a promising Boston act that has hurdled out of their former outfit’s shadow by releasing a razor sharp demo of twisted technical death

Arsis – United In Regret Review

Ramar Pittance’s take: When Arsis released A Celebration of Guilt in 2004, I bit so hard I nearly shattered every tooth in my mouth and liquefied my gums. With melodeath a long dead horse still

Suffocation – Suffocation Review

Doug Moore’s take: As I see it, there are two ways of looking at 2006 for death metal as a genre. On one hand, you could decry the lack of significant stylistic innovation from younger

Behold… The Arctopus – Nano-Nucleonic Cyborg Summoning Review

Originally written by Jason Jordan. If you’re familiar with Behold…the Arctopus, it’s probably due to guitarist Colin Marston’s ties to Byla, Infidel?/Castro!, and most similarly, Dysrhythmia. Strangely, however, of all the Reviews of Mass Destruction in the stockpile here

Sulaco – Tearing Through The Roots Review

originally written by Jim Brandon I really hate giving a history lesson at the start of my reviews, but in this case, it’s more than warranted. Sulaco is a Rochester 3-piece decimation unit consisting of

Dragonforce – Inhuman Rampage Review

Originally written by Chris Chellis. I’d heard a lot about Dragonforce before I arrived in London with my brother on a recent European vacation, but nothing prepared my eyes for how hard these guys are pimped in

Rest In Pain – Leprosy Of Subconscious Review

So, do you like death metal? Further, do you like the jazz tinged technical style of death metal inspired by Atheist et al? Do you like your death metal on the groovier and slower side?