All posts by Dan Obstkrieg

Happily committed to the foolish pursuit of words about sounds. Not actually a dinosaur.

Satanic Bloodspraying – At The Mercy Of Satan Review

Some bands are born great, some achieve greatness, and some thrust their greatness upon any and all unsuspecting listeners with a crude, gleeful abandon born of palpable malevolence. Mysterious Bolivian newcomersSatanic Bloodspraying play a supercharged

Martyrdöd – Paranoia Review

On its face, the sort of bruising metallic crust / d-beat so lovingly cultivated and / or rampantly spewed into the world by Southern Lord of late would seem to permit very little room for

Avenger – Bohemian Dark Metal Review

I have a shameful confession, dear readers: I was really expecting Bohemian Dark Metal to be mediocre. I had never heard of the band before, and the album just sort of arrived with little fanfare

Mongrel’s Cross – The Sins Of Aquarius Review

Judged solely on the merits of its black/thrash output, Australia must be a filthy, disgusting, and, well, pretty awesome place. With the likes of Deströyer 666, Assaulter, Bestial Warlust, Razor of Occam, Vomitor, Gospel of

Baroness – Yellow And Green Review

By now you’ve surely at least heard some rumblings, as early press and publicity onslaught turn the initial trickle of new album chatter into a full-on landslide, that today’s Baroness ain’t exactly the Baroness of

Gorod – A Perfect Absolution Review

It has often been remarked that technical death metal functions according to the law of diminishing returns. The first arpeggiated sweep? Awesome. The second? Pretty okay. But arpeggiated sweeps three through n? A bit like

Reverse Polarity – Glassworks

Some of the very finest bands in extreme metal succeed through a strategy of sheer overwhelming force. Volume, speed, weight; louder than loud, faster than hell, heavier than death. The question for any such band,

Coffin Texts – The Tomb Of Infinite Ritual Review

To get the inevitable out of the way: yes, Coffin Texts is a death metal band with a lyrical and thematic focus on ancient Egypt, so unless you’ve been living under some remarkably insulated rock