All posts by Old Guard

The retired elite of LastRites/MetalReview.

Fear Factory – Mechanize Review

Originally written by Jordan Campbell For nearly ten years, the Fear Factory brand has been struggling to survive. Arguably, the band peaked too early; creatively on Demanufacture, their 1995 masterstroke, and commercially with its follow-up, Obsolete. The shadow of

White Wizzard – Over The Top Review

Originally written by Ross Main. White Wizzard are the little puppy dogs of metal. Bounding with youthful energy and enthusiasm, there is something so innocent and loveable about them, that you really don’t mind having to

Genitorturers – Blackheart Revolution Review

Originally written by Ross Main. Although sex and metal are far more powerful and exhilarating activities when indulged individually, Floridian filth-merchants Genitorturers *wince* aren’t afraid to combine both at face value to create a fairly intriguing industrial

Teitanblood – Seven Chalices Review

originally written by Chris McDonald Sometimes you come across bands so transgressive in their approach that it seems pointless to judge them against even the loosest standards commonly accepted in music. Case in point, Teitanblood’s

Gaza – He Is Never Coming Back Review

Originally written by Doug Moore. For young, relatively unknown bands, there’s a lot to be said with a name. Take Gaza for instance. Their moniker conjures up an inescapable cycle of violence—generations of simmering resentment and dissonances

Jordan Campbell’s Top 20 of 2009

Another year in heavy metal…and what a year it was. It seems like every band on the planet released something in 2009; when Immortal, Absu, and Destroyer 666 all emerge from hibernation at once, it’s a sign that things

Obeah – Self Titled Review

Originally written by Jordan Campbell Old-school death metal is seemingly everywhere these days; it has officially become the catch-all subgenre for people that want to start a metal band, but don’t know what the fuck

Evile – Infected Nations Review

originally written by Chris McDonald Evile’s debut full-length, Enter The Grave, garnered both praise and ire as one of the first noteworthy albums in the nu-thrash explosion to be released by a band not named