Tag: Death

Dismal Lapse – Eon Fragmentation Review

originally written by Chris McDonald Dismal Lapse’s debut EP, The Nameless Faceless, was a solid and promising tech death outing which hinted at potential with a couple of interesting melodic and progressive twists. The Californian

Carnifex – Hell Chose Me Review

Originally written by Erik Thomas It’s only thanks to Between the Buried and Me, Within the Ruins, Wretchedand San Diego’s Carnifex (I’m waiting to hear new signing Pathology) that I still have some shred of respect for Victory Records.

Divinity – The Singularity Review

originally written by Chris McDonald Is it possible these days for a band to proudly display their multitude of influences and still come out with a final product that actually feels original? Some may argue

Valkyrja – Contamination Review

Three years after the release of their debut and just nine months following its reissue from new label, Metal Blade, Valkyrja lay upon us ten new tracks of infective Swedish black metal in Contamination. Whereas

The Kandidate- Until We Are Outnumbered Review

Originally written by Jordan Campbell The Kandidate are a groove-laden, mosh-mongering Danish collective, fronted by former Hatesphere and Allhelluja throat Jacob Bredahl. And…yeah. There’s really not much to sink your teeth into here, so we’ll

Avicularia – Born To Be Vile Review

Browsing the influences section of Avicularia’s Myspace page will instantly give you a very clear (and honest) idea of their sound. They cite Immolation, Cryptopsy, Origin, Gorguts, about ten other apt bands, and even jazz/fusion.

Haiyano Daisuki – Invincible Gate Mind Of The Infernal Fire Hell, Or Did You Mean Hawaii Daisuki? Review

Wow. I needed that. To let you in a bit on my life of late, I’d struggled across the last few months with a review or two of albums that were solid enough but in

Headhunter D.C. – God’s Spreading Cancer Review

Thanks to John McEntee’s Ibex Moon Records, this latest effort from Brazilian death metal outfit Headhunter D.C. finally hits US shores some two years after the album’s initial Brazilian and European releases, with some bonus