Tag: Death

Vader – XXV Review

Originally written by Jordan Campbell Vader is no longer simply a band. The name has become an institution, a stalwart symbol of determination and destruction among death metal’s pantheon. As the title of this tome suggests,

Gigan – The Order Of The False Eye Review

Originally written by Michael Roberts. The best way I can describe Gigan’s sound is a confrontation between Floridian-styled death metal and Dillinger-esque mathcore somewhere deep in outer space. That third point is crucial, as there’s a definite

Limb From Limb – Rip Him From His Fucking Throne Review

Australia’s Limb From Limb spew forth a machine-precise, practiced and tight batch of brutal death metal on their first full-length, the questionably titled Rip Him From His Fucking Throne. It’s nothing you haven’t heard before;

Psalm – Manifest Review

Originally written by Jordan Campbell Previously a metalcore band, Belgium’s Psalm have unveiled a new sound, a new direction on this transitional EP: blackened death metal, or something resembling blackened death metal, anyway. Given this information,Manifest sounds exactly as you’d

Whitechapel – This Is Exile Review

For the record, up front I will say this to avoid having to defend myself later: I don’t hate deathcore. I don’t hate Whitechapel. I just find both of them to have less staying power

Prostitute Disfigurement – Descendants Of Depravity Review

originally written by Chris McDonald Now here’s a band that’s been trending upward. While Prostitute Disfigurement’s early albums were fairly typical over-the-top gore-grind efforts, 2005’s Left In Grisly Fashion was something of a revelation for

Gravehill – Metal Of Death / Advocation Of Murder And Suicide Review

As you can likely guess from the title, Metal Of Death / The Advocation Of Murder And Suicide is a compilation of sorts, a rerecording of a previous EP (Metal Of Death) with the addition

Krisiun – Southern Storm Review

Originally written by Michael Roberts. It’s kind of a rare thing for a band to continue to improve after six or seven albums. More often than not we’ll see an act peaking somewhere between their