Tag: Grindcore

Exit Strategy – United State Of Amnesia Review

“Marine, what is that button on your body armor?” “A peace symbol, sir!” “What is that you’ve got written on your helmet?” “Born to kill, sir!” “You’ve got ‘born to kill’ written on your helmet

Cripple Bastards – Blackmails And Assholism (DVD) Review

Crusty Italian grinders Cripple Bastards celebrate their twentieth anniversary with this exhaustive double-DVD documentary plus their full set at the 2003 Obscene Extreme Festival in the Czech Republic. DVD sets are almost always “for fans only”

The Senseless – In The Realm Of The Senseless Review

Originally written by Ian Chainey I have an announcement. Yes, I realize this is breaking up the Jerry Lewis sponsored Job for a Cowboy lash-a-thon, but you need this information more than kids with muscular

Afgrund – Svarta Dagar Review

originally written by Chris McDonald Like grindcore? In particular, like Nasum? Then Afgrund’s debut album should be right up your alley. Svarta Dagar is a tight, cacophonous grind record that takes a great many cues

Rotten Sound – Cycles Review

Originally written by Jason Jordan. Is it surprising that Finnish grinders Rotten Sound have unleashed another fine full-length? Hardly. Following their 2005 LP Exit and 2006 EP Consume to Contaminate, Cycles, like Exit, is also an 18-track record chock full of abrasive, caustic

Yacøpsae – Tanz, Grosny, Tanz… Review

Originally written by Ian Chainey Everything you need to know about Yacöpsae is contained in the title of their ’98 full-length: Fuck Punk Rock… This is Turbo-Speed-Violence!  Seriously, that’s it, that’s all you need. Thanks

Anaal Nathrakh – Hell Is Empty, And All The Devils Are Here Review

Originally written by Doug Moore. It’s easy to become jaded as a metalhead. The focus on fastest-loudest-heaviest overstimulation and glut of similar-sounding bands can reduce even the most ardent fan to a sneering elitist (as anyone

Graf Orlock – Destination Time Tomorrow Review

Originally written by Ian Chainey This just in: Obscure, no-name critic champions band’s ability to make listening fun instead of harping on their lack of variation or other musical downfalls. The rest of the day’s headlines