Tag: Thrash

Triosphere – Oceans Above, Stars Below Review

[Cover artwork by Giannis Nakos / Remedy Art Design] A rather impressive 12 years have passed since we last heard from Norwegian progressive power outfit Triosphere, which would normally indicate some level of internal upheaval

Ninth Realm – Damnation’s Veil Review

[Cover Art by Jerry “Wyrmwalk” Hionis] Damnation’s Veil, the sophomore effort from Maryland crossover thrashers Ninth Realm, has got me thinking a little bit about time travel. I’m sure you’ve had the experience of a

Ripper – Towards Rebirth Review

[Cover art by Paolo Girardi] There are currently nine bands named “Ripper” listed on ye olde Metal-Archives, but it’s tough to imagine any of them earning the moniker as well as the boys from Chile

Diamonds & Rust: The Rise And Decline Of Crossover – Just How Weird Was The Crumbsuckers’ Beast On My Back?

So, there’s a thing that happens behind the scenes at Last Rites HQ called ‘Sunday Funday’ where we each pick a random album for the LR collective to listen to during the week, and then

Egregore – It Echoes In The Wild Review

To tell you about Egregore’s second album, I’d like to first talk about wildness. If you traipse back to heavy metal’s origins, it was about wildness, right? “Helter Skelter,” Blue Cheer’s take on “Summertime Blues,”

Monstrosity – Screams From Beneath The Surface Review

[Cover art by Timbul ‘Bvllmetalart’ Cahyono] Here’s the logline on Screams from Beneath the Surface, the seventh full-length album from Florida mainstays Monstrosity: it’s a calorically dense slab of death metal that doesn’t even attempt

Cryptic Shift – Overspace & Supertime Review

[Cover art by Jesse Jacobi] A recent conversation among friends – all current or former Last Rites writers – discussed Opeth’s (in)famous song “Black Rose Immortal,” and its merits and pitfalls. Some friends love the

Invictus – Nocturnal Visions Review

[Cover artwork by Juanjo Castellano] I dove into Nocturnal Visions – Invictus’s sophomore effort – having heard zero seconds of the Japanese death metal band’s debut, The Catacombs of Fear. In some ways, it’s an