All posts by Dan Obstkrieg

Happily committed to the foolish pursuit of words about sounds. Not actually a dinosaur.

Cruciamentum – Engulfed In Desolation Review

Cruciamentum has been making various unseemly noises in the British underground over the past few years, particularly via an extremely well-regarded 2009 demo and an excellent split with Vasaeleth from last year. Engulfed in Desolation

Azaghal – Nemesis Review

If I was feeling like kind of an asshole, I might suggest that this review of Nemesis, the ninth and newest Azaghal record (and third for Moribund) could be kept to three words: “Finnish black

Dodecahedron – Dodecahedron Review

The unfortunate reality about diving ass-over-ankles into the mystical forests and blood-stained steppes of extreme metal (or any other niche art-form, for that matter) is that the longer one spends banging the heads that will

The Devil’s Blood – The Thousandfold Epicentre Review

It’s a good time to be a rock band in the metal press, especially when one has seen support from such respected underground labels as Ván and Profound Lore. Still, the as-yet-unflagging growth of the

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Dan Obstkrieg’s Best Of 2011

2011, huh? Political and economic turmoil throughout the world, major life changes here on the home front, all the usual anxieties and insecurities and tiny insignificant victories, and through it all, a certified fuckload of

Wolvhammer – The Obsidian Plains

Wolvhammer wants to mess you up. On its second album, this Minneapolis / Chicago collective seethes with a barely contained malevolence and a passionately ill-tempered delivery. The base of the band’s sound is black metal,

Vallenfyre – A Fragile King Review

The backstory of the formation of Vallenfyre has been fairly well bandied about, but bears repeating: founding member and guitarist of Paradise Lost Gregor Mackintosh, in coping with the recent death of his father, starts

Cormorant – Dwellings Review

No matter what genre I’m listening to, whether weepy-face indie rock diaper-wetting, robots-having-a-seizure electronic angle music, or fjord-gargling black metal of the least children-and-small-animal-friendly variety, my favorite music tends to do two things: feel both