Tag: Death

Death Metal Dossier: Ripped To Shreds, Altar Of Gore & Tzompantli

Hello and welcome to yet another installation of Death Metal Dossier. Lately, we’ve actually had some notions to change the name and theme of this beautiful piece but we (Manny & Ryan) have been getting

In Crust We Trust: Vol 17

Kia ora, comrades. Welcome to In Crust We Trust: Vol 17. Before you dive into this month’s collection of raucous releases, I wanted to highlight a few punk rock-focused features that have recently caught my

Xibalba – Años En Infierno Review

Californian heavyweights Xibalba have spent the past thirteen years constructing a gigantic edifice (much like the one depicted by on their latest album cover) out of sledgehammering hardcore and equally concussive death metal. The band’s

Stare Into Death and Be Still

Ulcerate – Stare Into Death And Be Still Review

Anger. It’s one of the unifying themes of extreme metal. Anger against authority is perhaps most common. Anger at parents, anger at priests, anger at politicians. Anger against certain particular non-authority people comes up now

10s Essentials – Volume Ten

As the virtuous musketeers of Dark Angel once pronounced, “We Have Arrived”—the tenth and final installment of our 100 Essential Albums of the 2010s is here, and with it comes all the goodness associated with

Devangelic – Ersetu Review

[Cover art by Nick Keller] If you’ve been paying attention to the goings on here at Last Rites (but why would you?), you might have noticed that we’ve had a rebirth of brutal death metal.

Cryptic Shift – Visitations From Enceladus Review

If you wander over to the Bandcamp page for Cryptic Shift’s full length debut Visitations from Enceladus, you’ll easily glean the expected bits of information: genre tags (death, thrash, progressive, technical, etc.), location (Leeds, UK),

Shards Of Humanity – Cold Logic Review

It says right up there by our logo: “Generally impressed with riffs.” Thus, I am generally impressed with Shards Of Humanity. It’s been almost six years since the first album from this Memphis-born four-piece, a