Tag: Death

Blood Incantation – Starspawn Review

Autopsy, Baphomet, Immolation, Cannibal Corpse, Mortician, Goreaphobia, Suffocation, Deceased, Lucifer’s Hammer and Radiation Sickness, with the small sticker toward the bottom tossing in Repulsion, Incantation and Disharmonic Orchestra for, I don’t know, dramatic effect. Ten

necromancing_the_stone_jewel_of_the_vile

Necromancing the Stone – Jewel of the Vile Review

Some things in life are meant to be fun. Sex is one example that immediately comes to mind. Sports are also fun. Some people like to enjoy a brisk walk in the park while others

Vanhelgd – Temple Of Phobos Review

The open question: Do Vanhelgd play fashionable death metal unfashionably, or unfashionable death metal fashionably? On the one hand, Vanhelgd’s melodicism and (in particular) the potently reverbed vocals sometimes suggest a kinship with such peripatetic

Reptilian – Perennial Void Traverse Review

2016 has certainly been a banner year for death, although, in most cases, that’s been horrifically unfortunate. But hey, in the case of death metal, at least there’s some silver lining to be found, because

Witherscape_The-Northern-Sanctuary

Witherscape – The Northern Sanctuary Review

Witherscape is the brainchild of two men. One, Ragnar Widerberg you might know from his work in Shadowquest or his very hip mustache. The other, you might know from any one of the literally 715

Ghoulgotha – To Starve The Cross Review

I have only the vaguest memories of listening to Ghoulgotha’s debut, The Deathmass Cloak. Whether it was a case of too much music too little time, or simply that The Deathmass Cloak was unexceptional, the

dawn_of_disease_worship_the_grave

Dawn of Disease – Worship the Grave Review

Again, we come upon an important realization: death metal, even when trite, boring, derivative, etc., is still terrific. That’s why death metal has always been my favorite sub-genre of metal. Sure, many bands today are

Inter Arma – Paradise Gallows Review

As a full-time industry scientist and part-time music critic, a review of Inter Arma’s Paradise Gallows proved to be rife with challenge. Given that their particular interpretation of the art form involves so many variables and moving parts,