Tag: Doom
Worm – Gloomlord Review
A few preliminaries: before note one of Worm’s Gloomlord plays, it is recommended that the canny listener pause a moment and wonder at its tremendous title and cover art. Are you a gloomlord? Am I? …
A Devil’s Dozen – Paradise Lost
“Sad songs say so much.” — ancient Eltonese proverb. WHY SO GLUM, CHUM? It’s said that art mirrors life, so then it follows that art is empty and largely meaningless without emotion, and then further, …
Best Of 2019 – Craig Hayes: Hidden History Of Haze
“Nobody exists on purpose, nobody belongs anywhere, everybody’s going to die.Come watch TV. Listen to Motörhead.” Kia ora, I’m Craig, Last Rites’ oldest, chubbiest, and most far-flung contributor. This year I spent a lot more …
Sky Shadow Obelisk – The Satyr’s Path Review
[Artwork by Lucas Korte] If you’ve even remotely followed the catalog of Sky Shadow Obelisk, then you know that you can only truly expect a couple things with each new release: it’s going to be …
Slow – VI – Dantalion Review
First of all, apologies for this review coming after the release date, but with Silence Lives Out/Over Whirlpool, slow is the name of the game. The Belgian one-man act has been on a bit of …
Esoteric – A Pyrrhic Existence Review
Anxiety has become something of a very public topic as of late (slide over to Lone Watie’s brilliant review of Leprous’ Pitfalls for a brief discussion). As mental health falls into focus and our darkest …
Year Of The Cobra – Ash And Dust Review
Being named Year of the Cobra (and writing some bitchin’ tunes) means that with every new release, you have to see “20__ is totally the year of the cobra, bro!” as often as a boy …
Runemagick – Into Desolate Realms Review
In music, true economy is rare. There are, of course, essentially an infinite number of ways to make a musical point. Variations in instrumentation, melody, rhythm, harmony, tone, and so on enable musicians to paint …