Tag: Doom

I AM VALBORG – Q&A With the Versatile Mr. Toyka

Valborg is not your typical metal band. I know that in these times, it’s getting harder to define what a typical metal band would be, but we’ve still got some distinctions that make bands metal: •

Ahab – The Boats Of The Glen Carrig Review

At first listen, The Boats of the Glen Carrig appears to be the first Ahab album that doesn’t see the German doomsters taking a substantial step forward in their evolution as musicians. After essentially mastering

Majestic Downfall – …When Dead Review

One of the most important keys to good doom – and minimal music of all types – is efficiency. It isn’t efficient with time, obviously, as doom is the metal most known for its drawn-out

Indesinence – III Review

Doom/death is a fickle thing. The interesting thing about the template laid out a quarter-century ago is that it was always a ramshackle synthesis. For all the gothic grandeur that the Peaceville 3 aspired to,

Khemmis – Absolution Review

Let’s get to the point: Absolution is a promising debut album all but ruined by its laughably out-of-place harsh vocals. On paper, Denver’s Khemmis is an appealing proposition: their fuzzed-out tones and love for Lizzy-descended

High On Fire – Luminiferous Review

I’ll admit I approached High on Fire’s latest, Luminiferous with some trepidation. The band’s last record, De Vermis Mysteriis, was the first High on Fire album that I did not thoroughly enjoy. To my ears

Abyssal – Antikatastaseis Review

The artwork is inscrutable; the production yawns like a bottomless well; the guitars warp and stretch; the album title is Greek and the closing song title Latin: you know it, you love it — Abyssal

Shape Of Despair – Monotony Fields Review

Shape of Despair’s place within the whole of Finnish funeral doom has long been as third fiddle, never releasing an album with the influence and stature of Skepticism’s Stormcrowfleet or Thergothon’s Stream from the Heavens.