Tag: Grindcore

Defeatist – Sixth Extinction Review

Originally written by Chris Chellis. It’s too bad that Mayhem took “Chainsaw Gutsfuck” before this New York grindcore trio could get to it because it would have made for a very fitting album title for this stellar

Haiyano Daisuki – Invincible Gate Mind Of The Infernal Fire Hell, Or Did You Mean Hawaii Daisuki? Review

Wow. I needed that. To let you in a bit on my life of late, I’d struggled across the last few months with a review or two of albums that were solid enough but in

Morgue Supplier – Constant Negative Review

As can be deduced from the moniker, Chicago’s Morgue Supplier do not play deft and jazzy prog, but brutal and blasting grindcore, and have been doing so since 1999. Constant Negative is their latest, containing

Squash Bowels – Grindvirus Review

Squash Bowels‘ previous full-length—2005’s Love Songs—was my introduction to these Polish grinders, despite that they’d been around in one form or another for a decade prior. That disc was the band’s first release for their

Teitanblood – Seven Chalices Review

originally written by Chris McDonald Sometimes you come across bands so transgressive in their approach that it seems pointless to judge them against even the loosest standards commonly accepted in music. Case in point, Teitanblood’s

Gaza – He Is Never Coming Back Review

Originally written by Doug Moore. For young, relatively unknown bands, there’s a lot to be said with a name. Take Gaza for instance. Their moniker conjures up an inescapable cycle of violence—generations of simmering resentment and dissonances

Ambassador Gun – When In Hell Review

Minnesota grind/punk trio Ambassador Gun began in 2002 under the bulkier moniker of A Second From The Surface. In either of their two incarnations, they’ve released three previous full-lengths before dropping When In Hell. I

Magrudergrind – Magrudergrind Review

originally written by Chris McDonald Magrudergrind play an epic, highly melodic form of orchestral progressive metal, heavy on keyboards and symphonics and lead by a soaring tandem of operatic male and female vocals. Just kidding.