Tag: Progressive
Virus – Memento Collider Review
Even if each Virus release has moved ever further from the black metal that anchored the band’s innovative beginnings as Ved Buens Ende, it’s really only made more salient their utter originality. Virus’ unique sound …
Gorguts – Pleiades’ Dust Review
Luc Lemay is dismayed. At least, one can assume so. The Gorguts leader possesses one of the greatest minds in heavy metal’s storied history, but much of what he sees around him — both within …
Polyptych – Defying The Metastasis Review
Chicago’s Polyptych is an ideal representation of what’s very right and wrong with metal in 2016. Thankfully, what’s amiss isn’t actually a result of something the band has done, and it’s very fixable. First, let’s …
Ihsahn – Arktis. Review
Originally written by K. Scott Ross. Ihsahn is many things to many people. The father of modern black metal. The killer of TRVE black metal. Master of interlocking jigsaw riffs. International sex symbol. Musical genius. Overrated …
Voivod – Post Society Review
My first full Voivod immersion occurred in 1988. At the time, a more undecayed version of me used to scrape up just enough money to be able to afford two cassettes at the local record …
Oranssi Pazuzu – Värähtelijä Review
When Oranssi Pazuzu‘s debut album, Muukalainen Puhuu, touched down in 2009, it was a shock to hear such a fully formed vision. Despite the fact that plenty of black metal bands had exploded the genre …
Borknagar – Winter Thrice Review
Originally written by K. Scott Ross. I have a very particular idea in mind of what makes a good Borknagar album: the listener should be able — perhaps even compelled — to sing along to …
Sadist – Hyaena Review
Italy’s Sadist starting doing angly and jangly death/thrash back in the early 90’s that fit in comfortably aside more heavily spotlighted bands like Death and Atheist and Cynic, and you can hear those bands in …