Blood Worship – Death’s Omnipotence Review
FAST RITES: because sometimes brevity is fundamental. Sweden’s Blood Worship comes to you from the mind, guitar, and voice of Martin Andersson, also of Astrophobos. And if you’ve spent time with that band, you’ll know …
Urfaust – The Constellatory Practice Review
If you want to get all scientific about it, music is just physics. “Just physics,” of course, is a silly statement, as physics is the vast study of about everything, and the tiny vibrations that …
Deathstorm – Reaping What Is Left Review
FAST RITES: because sometimes brevity is fundamental. Reaping What Is Left, the third full length from Austrian thrashers Deathstorm, sounds almost exactly like Slayer. And not the clearly-influenced-by-but-bringing-a-little-something-new type of sounding almost exactly like Slayer, …
Uada – Cult Of A Dying Sun Review
Uada comes to us from Portland, but instead of sounding like 1,000 other Pacific Northwest black metal bands, the particular brand offered on sophomore album Cult of a Dying Sun sounds pulled from 90s Sweden. …
At The Gates – To Drink From The Night Itself Review
In Stereogum’s latest edition of The Black Market (aka the best metal column on the web), Ian Chainey broke down all of the thoughts and natural reactions that long time fans have to new material …
Aeviterne – Sireless Review
FAST RITES: because sometimes brevity is fundamental. Consisting of two former members of Flourishing and former Castevet drummer Ian Jacyszyn, the debut EP of Aeviterne ought to excite fans of slightly noisy, oddball death metal. …
Varathron – Patriarchs of Evil Review
While it gains less attention than its Scandinavian parallel, the Hellenic black metal scene has been one of the most creative and daring over its nearly 30 year existence. Hungry and experimental projects pop up …
Melan Selas – Reon Review
Greece’s Melan Selas was just formed back in 2016 by instrumentalist D.K. and vocalist/lyricist Astraea – Oletir, but they already show not just a very promising level of songwriting and riffcraft, but a true understanding …
