Category: Reviews

Svartsyn – Wrath Upon The Earth Review

Originally written by Erik Thomas I’ve been on a traditional black metal kick recently, ingesting the likes of Nidingr, Sacreligious Impalement, Sargeist, Helrunar, and numerous “Svart” bands — including the sixth album from long running

Question Of Madness – The Dark Corners Of The Mind Review

Question of Madness is the brainchild of former The Chasm bassist Alfonso Polo. The band’s ties to The Chasm run deep:  Question of Madness’s debut The Dark Corners of the Mind was released on Chasm mainman

Complete Failure – Heal No Evil Review

Originally self-released in limited quantity in 2009, this second Complete Failure record found itself picked up by Relapse for a Fall 2010 re-release. Entirely self-recorded, Heal No Evil was a conscious effort by the band to distance

Svart Crown – Witnessing The Fall Review

Jay: “Olaf, metal!” Jay: “That’s his fucking metal face.” Hipsters and “yeah bro, metal is cool”-types the world over love that scene. Why? Because fake Russian dudes are funny; because the movie is in black

Hate – Erebos Review

Originally written by Justin Bean. I want to begin by doing a quick dissection of the 6.1 I’ve given to Erebos, Hate’s seventh full-length. In musicianship and production, Erebos received high marks. Hate does their interpretation of blackened death metal quite

Astral Doors – Testament Of Rock: The Best Of Astral Doors Review

Sweden’s Astral Doors was founded with the stated purpose of revisiting and reviving the trad-metal sounds of Dio, Rainbow, post-Ozzy Black Sabbath, et al.  And that sums up their sound in more succinct fashion than

Pyrrhon – Fever Kingdoms Review

originally written by Chris McDonald A young new death metal project hailing from New York, Fever Kingdoms is Pyrrhon’s first official release aside from a demo distributed at shows in 2009. And you’d be hard

The 25th Hour – Monsters Review

The 25th Hour is an experimental outfit hailing from San Diego, California…with no vocalist. Although it’s becoming more and more common for musicians to release all-instrumental albums, it’s still quite a bold statement when they