Spite – Antimoshiach Review

Everyone has records they prefer to play in certain settings. Some almost demand to be heard through headphones or a hi-fi system, while others sound just fine through Bluetooth speakers or the stock system of

Paara – Riitti Review

Musically, there are generally two major approaches when combining black metal with Scandinavian folk music that come to mind: that of simply attempting to shoehorn folk instrumentation against the wall of sound guitars of black

Destroyer 666 – Call Of The Wild EP Review

FAST RITES: because sometimes brevity is fundamental. Surprise, surprise: only two years since the band’s last full-length album, Wildfire, and we already have new Destroyer 666 material. Sure, Call of the Wild is only an

The Grotesquery – The Lupine Anathema Review

As usual, it looks like Rogga Johansson has been a busy little beaver… Sweden’s one-man death metal factory, Rogga has two albums coming out soon, this fourth effort from The Grotesquery and also the fourth

Dry Insides – Deformity EP Review

There’s something to be said for music that sounds like it was recorded inside the rotting asshole of weeks-old roadkill. Although, obviously, what is said about that kind of decomposing noise depends on how much

Solstice – White Horse Hill Review

To your left: Three minutes into Johan Länquist’s version of one of the greatest doom songs ever recorded from side B of what many consider to be one of the world’s finest doom records, epic

Rotted – Pestilent Tombs Review

As my colleague here recently said, he “simply doesn’t have time for more generic death metal.” Well, I’m sure a lot of people feel that way. Those people, however, are lame. Definitely not the kind

Riffology: Therion’s “The Way”

These days, Therion is best known for some nearly-unclassifiable form of progressive, symphonic, operatic metal. If you’d like to know more about it, our own Mr. Duvall has review of one of the band’s beloved

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