The Doomsday Kingdom – The Doomsday Kingdom Review

After the “Godfather of Heavy Metal” Tony Iommi, no single person has done more to define doom metal than Candlemass mastermind (Candlemasstermind?) Leif Edling. It is both fitting and deserved, then, that he calls himself

Svart Crown- Abreaction Review

Originally written by Chris Redar Before we get into the complaints about Abreaction, the latest from Svart Crown, let’s discuss the few things this French blackened death outfit gets right: -Pacing: Abreaction follows a rather

The Obsessed – Sacred Review

After twenty-odd years of fandom, it has just now occurred to me that it is unwise to expect any sort of stability from Scott “Wino” Weinrich. The past decade has seen Wino release a couple,

Show of Bedlam – Transfiguration Review

It can be an incredibly satisfying feeling to discover a great band that was quietly flying under your radar. This is most definitely the case with Montreal, Canada’s Show of Bedlam, with whom I am ashamed

Altar Of Betelgeuze – Among The Ruins Review

In my years of metal fandom I’ve heard my share of genre mish-mashes, but stoner-doom-death is a new one for me. Finland’s Altar of Betelgeuze has apparently been practicing the style since 2010, and Among

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Valborg – Endstrand Review

Rules, physics, science, biology. These are truths that most of us take for granted. For example, we know that there are only two sides to a coin. Heads and tails. We use that rule to

Grima – Tales Of The Enchanted Woods Review

Boundaries are something we often attach to the music we collect. Whether it be Swedish death metal, Bay Area thrash, “Trve” Norwegian black metal or German power metal, people are always looking for ways to

Last Rites Cover Art Tournament: The Championship

Friends, we have arrived at the end, and what a journey it was to arrive here. We saw a King of the Dead take out Ozzy and his Ultimate Sin. Metallica’s Puppets were no masters

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