Last Rites Cover Art Tournament: Round of 32 – The Culling

Hello, friends. We hope you are enjoying our little dedication to the history of cover art in heavy metal. We hope it’s extra fun for you that we aren’t just writing about art we love,

Condemned- His Divine Shadow Review

Originally written by Chris Redar From Condemned’s metal archives page: Not to be confused with: Condemned from Houston, Texas Condemned from Seattle, Washington Condemned from New Jersey A cursory search of the band also reveals

Last Rites Cover Art Tournament: The Brutal Round of 64

Heavy metal is many things, but being the world’s most brutal music is one of its chief roles. This is not to say that music of other styles can’t be brutal; anyone that has heard

Venenum – Trance of Death Review

The following three records stand a pretty good chance of getting a fresh round of attention from folks engaging in serious discussions about Venenum’s stellar debut full-length, Trance of Death: Necrovation’s self-titled record from 2012

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Celestial Bodies – Spit Forth From Chaos Review

Somewhere in between free jazz and a black metal version of the X-Files lies whatever the hell is Celestial Bodies. The music attacks as if the listener is laid out naked on a cold, steel

The Last Rites Cover Art Tournament: Metal March Madness

In heavy metal history, the visual imagery that goes on album covers has long been almost as iconic as The Riff itself. The work of a particular artist becomes permanently associated with a band to

Woe – Hope Attrition Review

When Woe’s debut A Spell for the Death of Man hit in 2008, it was a significant shot of adrenaline to an American black metal scene that was, at the time, more often known for

Bear Mace- Butchering The Colossus Review

Originally written by Chris Redar It’s a Thursday, 9:52pm, in the city of Chicago. (Band you’ve been wanting to see) is finally in town after their killer new album blew you away, just like the

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