Tag: Black

Immortal Bird – Akrasia Review

Let’s get the massive, whopping, unavoidable disclaimer out of the way first: Immortal Bird is a new band featuring none other than former Last Rites staffer Rae Amitay. I also know Rae personally and consider

Vaura – The Missing Review

I am occasionally hyper-critical of bands that fiddle with the primeval black metal formula, particularly when the fiddling is rooted in an over-sentimentalization that clouds the genre’s core nihilism. This awareness is to blame for

Lake Of Blood – Omnipotens Tyrannus Review

There’s a chance you’ve heard this one before. That is, if you’ve been even half-attentive to the prevailing currents in contemporary black metal over the past decade or so, the general sounds that emerge from

WAN – Enjoy The Filth Review

originally written by Kyle Harcott Nose-picked Swedish frostfilth. Dungarees caked with human grease. Ugly tattoos. Tattered hair. Each successive inverted cross bigger than the last guy’s. Eskilstuna’s WAN could give two fucks. They’re here to

Nocturnal Graves – …From The Bloodline Of Cain Review

The (surely) bullet-belted noisemakers in Nocturnal Graves play such a heavily blackened thrash that one could wager a life’s savings on a bet that they hail from Australia. And, lo and behold, Nocturnal Graves do

Satan’s Wrath – Aeons Of Satan’s Reign Review

Well, here’s a sentence one doesn’t imagine has been written before: Aeons of Satan’s Reign is a love letter. Lower that skeptical eyebrow back to resting position, friends, because in all honesty, that’s exactly what

Vulture Industries – The Tower Review

When you come across an album that ranges from a mix of Code and Root to full Arcturus worship, a touch of Solefaldian weirdness, and every quirky sound in between, the labels are tough to

Germ – Grief Review

Do vocals alone make an album metal? If Martin van Drunen fronted an album featuring a classic three-piece jazz combo playing standards from the great American songbook, would you be required to call it metal?