Tag: Doom

Revelations Of Rain – Emanation Of Hatred Review

A masked sky. An immeasurably vast landscape. One lone creature soaring above the earth, confused by the encroaching heavens and rumbling chaos from below. Shifting terrain scatters trees, beasts, life. A great spire of rock

Dukatalon – Saved By Fear Review

Israel’s Dukatalon is the latest entrant into the increasingly crowded field of vaguely sludgy stoner doom that this particular writer absolutely refuses to refer to as having anything to do with facial hair. Still, the

Acid Witch – Stoned Review

Acid Witch, everyone’s favorite psychedelic / Satanic / horror / doom / death metal band, has brewed up another cauldron full of cavernous growls, spooky organ licks, wailing solos and anvil-heavy riffs. Though there has

Electric Wizard – Black Masses Review

originally written by Chris McDonald Electric Wizard has long been a major player in the doom scene, and their influence in their own style, as well as their ability to pull in fans from metal’s

Origin Of Darkness – The Living Darkness Review

It’s been about four years since we last heard from Xathagorra Mlandroth, the brainpower behind seminal funeral acts Hierophant and Catacombs, but the years have apparently been no less cruel or weighty, as his latest

Heathendom – Nescience Review

Nescience was/is the full-length debut from Greek doom/trad/power/smorgasbord five-piece Heathendom. Originally released in 2008, Metal On Metal Records is giving it a fresh issuing here in 2010 with one big spice-up (more on that later). Despite

Acid Bath – Paegan Terrorism Tactics (Reissue) Review

Pages have been written about the Nola scene throughout the years: how its sludgy misanthropy captures the gritty essence of its hometown in filth-encrusted fashion; how its drug-addled violence and blues-tinted roots sum up the

Elliott’s Keep – Sine Qua Non Review

Elliott’s Keep’s debut, In Medias Res, was for me one of those pleasant surprises that makes this reviewing gig worthwhile. As a conservative estimate, I would say that 80% of the albums I review never