Tag: Napalm Records

Kampfar – Mare Review

Longstanding Norwegian pagan/black metallers Kampfar seem perpetually and uncomfortably wedged between the general ignorance of the greater metal populace and the constant fawning of a small but very dedicated fanbase. In that way they’re simultaneously

Grave Digger – The Ballad Of Mary Review

Last year’s The Clans Will Rise Again served as something of a sequel to 1996’s Tunes Of War, continuing the Scottish-history theme that Grave Digger began on that earlier album. Again furthering the band’s return

Falkenbach – Tiurida Review

Falkenbach has always resided outside of the more industry-supported or well-known folk metal circle, despite being conceived all the way back in the late 80s. The sole vision of Vratyas Vakyas (born Markus Tümmers of Germany)

Grave Digger – The Clans Will Rise Again Review

Another two years (more or less), and another Grave Digger record… And I’m not really complaining, mind you, at least not about their rate of productivity. This German outfit has become one of my more

Iron Fire – Metalmorphosized Review

Get a load of that album art, will ya?  There’s a robot knight waving a flaming horned helmet and holding a creepy-looking sword, standing at the edge of a menacing spiked bridge that leads across

Nox Aurea – Ascending In Triumph Review

Melodic doom/death sometimes seems like a (sub-sub) genre without any real set of parameters. Bands lacking the proper songwriting chops more often than not come off like they’d be better suited playing funeral doom, melodeath,

Thulcandra – Fallen Angel’s Dominion Review

The relative merits of making an homage/worship album has long been a heated subject of debate among metal heads and music fans in general. Thulcandra’s debut, Fallen Angel’s Dominion, is as worthy a subject for

Karma To Burn – Appalachian Incantation Review

Originally written by Jordan Campbell It’s been nearly nine years since the release of Karma to Burn‘s don’t-call-it-a-swansong Almost Heathen, a ten-ton stoner rock monument to the unadulterated glory of the riff. Since that album–and their subsequent